Throughout the book, there are descriptions of magic, such as when the ‘land’ is created, which are just dull. And I think that is the problem with The Magician’s Land.
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There are a few rare passages, such as when Quentin and Plum become whales, that are truly magical full of wonder and imagination.
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There are some nice touches throughout the book which respect the fans of the series but I suspect someone picking this up without the back story might be a tad confused. There’s some deft touches and pleasing nods to other genre pieces (the talking horse sighing in exasperation at the end of the world, again!). But then on our first trip to visit Elliot, we’re back on profane but amusing magician territory again. The early chapters feel cold and distant, as if Grossman is deliberately making it clear that this is an adult novel with adult themes. This is a good thing! It makes the story intriguing and asks the reader to pay attention. Grossman plays with time in the early narrative of the book, so it takes a while to settle into a coherent plot. Meanwhile, Elliot and Janet discover that Fillory’s days are numbered. We’re now back to the bookstore thread and Quentin and Plum have been recruited by a bird to find and steal a magical object. Quentin again it seems, goes from hero to zero. Quentin rescues Plum, but he’s sacked and Plum is expelled. One student, Plum, is trapped by Quentin’s old love, Alice (who is now a niffin) when a prank goes wrong. Suddenly, however, Quentin is back at Brakebills, his former magical school, and is a new professor. Quentin is now in a bookstore with a bunch of other magicians, being tested for a potential quest. Julia is out of the story, while Elliot and Janet were left ruling Fillory with Josh and Poppy. We left off the story with our hero, Quentin Coldwater, back on Earth trying to make a life for himself after his expulsion from the magical land of Fillory. There is a lot to admire in Grossman’s writing, and his ideas. The Magician’s Land is and entertaining and enjoyable conclusion to the trilogy which began as a lot of sweary teenage Harry Potter types ( The Magicians, 2009) and morphed into a darker kings and queens of the magic lands adventure ( The Magician King, 2011). Not that it exists, but the way Grossman describes it. EDT or check your local listings.Something nags at me with Lev Grossman’s Magicians trilogy, and it’s not whether or not you’d class them as traditional fantasy in the vein of The Lion, The Witch and the Wardrobe or the Harry Potter books, or as more adult-based urban fantasy (say of the Dresden Files for example). You can watch on our Ustream Channel at 6 p.m. Tune in to tonight’s broadcast of the PBS NewsHour for the first part of Jeffrey’s conversation with Lev Grossman. it was surprising, but it in the best possible way.” “It’s as though you had a private joke that only you thought would be funny and accidentally it got out and other people thought it was hilarious. In 2011, the writer published the second installment, “The Magician King,” which was also a Time bestseller. Published in 2009, it was a New York Times bestseller and one of The New Yorker reviewers’ favorite books of the year. “The Magicians” has earned both praise and popularity.
There’s a kind of range of psychological personalities that is a little bit broader than what you see in standard fantasy.” You don’t see a whole lot of homosexuality in fantasy, and you should …. In his trilogy “The Magicians” - the third book, “The Magician’s Land,” hit shelves in August - his characters don’t quite fit the mold of typical fantasy characters. “Breaking the rules is something novelists should do as much as possible,” Grossman told senior correspondent Jeffrey Brown. But when it came time to write for himself, he started by not writing the kind of book his parents were teaching. The son of two English professors, fantasy writer Lev Grossman grew up reading literature. Watch this online exclusive from his conversation with senior correspondent Jeffrey Brown. Lev Grossman recently published “The Magician’s Land,” the third installment in his “The Magicians” trilogy.
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